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Results: 23

• Monograph

  Modernism as Institution

  Hans Hayden

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• Monograph

  Samisk kunst og norsk kunsthistorie

  Monica Grini

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• Edited Volume

  Performing the Eighteenth Century

  Meike Wagner, Magnus Tessing Schneider (eds.)

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• Chapter from Performing the Eighteenth Century

  On a Praxeology of Theatre Historiography

  Meike Wagner

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• Chapter from Religions around the Arctic

  Jacob Fellman’s Introduction to Saami Indigenous Religion: A Source Critical Dilemma

  Konsta Kaikkonen

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• Chapter from Performing the Eighteenth Century

  Performing in Historic Theatre Sites: Frames, Potentials, Challenges

  Meike Wagner

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• Chapter from Performing the Eighteenth Century

  Introduction

  Meike Wagner, Magnus Tessing Schneider

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• Chapter from Performing the Eighteenth Century

  Adequate Rhetorical Delivery when Staging Premodernity: A Combination of Synchronic and Diachronic Approaches

  Jette Barnholdt Hansen

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• Chapter from Performing the Eighteenth Century

  Rousseau’s Pygmalion as Research on Stage: From Theory to Practice and Back Again

  Maria Gullstam

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• Chapter from Performing the Eighteenth Century

  Presenting the Theatre of Drottningholm

  David Wiles

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• Chapter from Performing the Eighteenth Century

  Aesthetic Historicity

  Willmar Sauter

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• Chapter from Performing the Eighteenth Century

  Contemporaneity in Historically Informed Performance

  Magnus Tessing Scheider

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• Chapter from Performing the Eighteenth Century

  Costume in the Age of Rousseau and the Case of Pygmalion

  Petra Dotlačilová

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• Chapter from Performing the Eighteenth Century

  Swimming in the Water of Theatrical Conventions: The Performers’ Perspective

  Magnus Tessing Schneider, Willmar Sauter

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• Chapter from Performing the Eighteenth Century

  Materiality in Action: Costume and Light on the Eighteenth-Century Stage

  Petra Dotlačilová

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• Chapter from Performing the Eighteenth Century

  An Aesthetics of Absence: Don Giovanni at Drottningholm, August 2016

  Willmar Sauter

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• Chapter from Performing the Eighteenth Century

  Haydn’s Arianna a Naxos and the Search for an Affective Practice

  Mark Tatlow

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• Chapter from Performing the Eighteenth Century

  From the General to the Specific: The Musical Director’s Perspective

  Magnus Tessing Schneider

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• Chapter from Working-Class Literature(s) Volume II

  “A Pole of Differentiation”: Pasts and Futures in Irish Working-Class Writing

  Michael Pierse

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• Chapter from World Literatures

  Beyond Chineseness: De-Nationalising and De-Sinicising Modern Chinese Literature

  Irmy Schweiger

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• Chapter from Modernism as Institution

  The Regime of Authenticity

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• Chapter from Modernism as Institution

  Transformation/Transmedia/Transfusion

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• Chapter from Konsten att kontextualisera

  Att skapa historiska sammanhang: Exemplet Thomas Mores Utopia

  Magnus Rodell

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