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This book is the first comprehensive introduction to the extraordinarily complex comics culture of Taiwan, where, under martial law, mainland Chinese traditions of political cartoons and popular “picture book” existed side by side with pirated and often obscured Japanese manga. Taking a media-historical perspective, the book traces the changes in comics’ cultural, symbolic, and economic capital. It considers publication formats, distribution channels, and stylistic conventions, analyzes the official discourse through government documents and newspaper articles, and scrutinizes the censorship system.
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Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion aims at advancing the study of anime, understood as largely TV-based genre fiction rendered in cel, or cel-look, animation with a strong affinity to participatory cultures and media convergence. Making the landmark series Neon Genesis Evangelion (Shin Seiki Evangerion, 1995–96) its central case and nodal point, this volume foregrounds anime as a media with clearly recognizable aesthetic properties, (sub)cultural affordances and situated discourses.
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